“You were on site for a good 12 hours every single day,” dad said, “If I wasn’t working with the first unit, which included the main director and actors, I was on the second unit.” And after the first 30 days he worked, he was called in to see Art Newman (Paul’s brother), who was business manager for the film. From the first to the last day of shooting, which took approximately three months, Dad worked pretty much every day on one site or another. The very first day of filming, Dad met the crew in Newport and rode out to the logging site with Paul Newman, who portrayed the infamous “Hank Stamper”, and who also shared production credit with John Foreman. Thus, my father began the acting part of his logging career, which had already spanned 18 years. The Orland Brothers are employed by the Stamper family-until, union matters really heat up, and the brothers refuse to show up for work due to a sudden nasty bout of the “Asian flu.” It was explained to dad that he would play one of the “Orland Brothers.” His job, up on the logging landing, was “Chaser,” the man who unhooks the chokers once the logs are drug up from below. We asked ourselves how many working loggers have time, or even the inclination, to take up acting as a hobby? They weren’t simply seeking extras, but they were also seeking what they referred to officially as a “Logger/Actor,” which gave us a chuckle. Also, at that last interview, Dad found out just what exactly he was applying for. At the time, $720 a week was more than sufficient. My father figured that incident helped in setting him apart from the other applicants.Ī week after that second interview, a man from casting called up and told dad he’d been selected for a part in the movie, as long as the pay was agreeable. “Well,” dad replied, “I’m a gentleman’s logger.”Īnd Richard Colla laughed and said, “Groovy, groovy.” And funny enough, Colla had the same impression. Once the man found “Ron Bernard” on his roster he said, “Well, I’ll get you right in.” And that’s when dad met Richard Colla, the director of the film. “It’s just that you don’t look like a logger.”Īll the other applicants had on authentic logging gear, or what they considered a logger might wear. When dad said that yes he was, the man apologized for ignoring him. A couple of hours had passed, and finally the assistant asked dad if he was there for an interview. Dad sat waiting, along with about 40 other men, while an assistant made his way around the room, talking with everyone, except my dad. And “a Gyppo logger,” my dad told me, “never wants to unionize.”Īfter the initial interview, my father, who was 35 years old at the time, was called by the casting director to come to a second interview at the Salishan Inn. The Stampers are “Gyppo,” or contract loggers. Kesey’s book is set around the Stamper family, a clan of stubborn and prideful loggers, struggling to survive, making a living amidst a determined, resentful town and other logging operations seeking to unionize. Author Ken Kesey’s novel, “Sometimes A Great Notion,” was being adapted to the screen and filmed along the Siletz River and parts of the Central Oregon Coast. It all started in July of 1970, when my dad drove from our small home town of Neotsu, Oregon, located just three miles north of Lincoln City, to Toledo, where, along with about 250 other men and women, he applied for a job as an extra in a movie. But that particular keepsake takes us to the end of the tale. We found folders stuffed with mementos from the Screen Actor’s Guild, and we even came across an empty bottle of “President’s Choice” Kentucky sippin’ whiskey. We talked for a couple of hours and pored over boxes of aged and faded photographs of the film crew and famous actors. Recently, I sat down with him at his home in Florence Oregon, and I asked him to do some reminiscing about those days he spent working on the film. My family and I have a particular fondness for the story, as my father, Ron Bernard, actually played a part in the movie version. Sometimes a Great Notion (film) (Wikipedia) With the passing of Ken Kesey, many an Oregonian, along with admirers around the world, have taken to revisiting that famous story “Sometimes A Great Notion.” “ Up as far as Victoria and down as far as Eureka. Towns dependent on what they are able to wrest from the sea in front of them and from the mountains behind, trapped between both.” – Ken Kesey Sometimes A Great Notion and the Summer My Dad Was a Movie StarĪn Interview with Ron Bernard ~ by Denise Bernard WordPress Blogs: Articles, Bibliographies, Media
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